Observations About Literary Contest Submissions
I was selected again this year to read manuscripts submitted by aspiring writes to a local literary contest. My task was to read the submitted pages and provide a critique and a score for a half-dozen categories, such as Dialog, Plot, Synopsis, etc. Here are some observations about what I read.
- Following contest guidelines is half the battle. Of the five manuscripts I was assigned, three were disqualified! The most common mistake: the author's name was included. The manuscript is supposed to be anonymous. The next mistake: too many pages were submitted. If the guidelines say 25 pages max, don't submit 30 or 40. Another: placing page numbers at the bottom, when rules called for upper right corner. Bottom line, if you simply sumbit a clean manuscript that follows all the rules to the letter, you'll beat half the other entrants out of the gate.
- Know how to properly format a manuscript. An author who wishes to be taken seriously (let alone win a contest) ought to know standard manuscript formatting rules. One entry did not indent paragraphs, but did insert blank lines between them. Another did not understand the punctuation and formatting of dialog tags.
- Write a compelling synopsis. A couple of the authors clearly did not understand the concept of a synopsis. One gave an introduction for a couple of main characters, and then a glowing bio of himself and his great talent. And, yes, exceeded the page limit. Another introduced the main character and her conflict well, but gave vague generalities about how the plot unfolded. Most of the entries just couldn't bring themselves to give away the ending, which is what contest judges and literary agents want to see. I wrote a blog article some years back about synopses ( What's In a Synopsis?) that discusses some of what I have learned about them.
- Some writers don't understand viewpoint. This is common for newbie writers: they don't understand the concept that a scene is normally told inside the head of one particular character. I know, because I got that all wrong when I first started. The reader should only know, see, hear, smell, feel through that character's senses. A few of the submitting authors' character viewpoint wandered all over, one becoming so omniscient the narrator told what will happen in the future. A corollary to this is the tense used by the narrator: one entrant mixed present tense with past tense.
- Overuse of backstory. Often, the author has a good grasp of her main charater, and wants to tell the reader all about her in the first couple of chapters. Unfortunately, the actual plot and storyline gets lost. One of the entrants used so much backstory, it was difficult to figure out what was happening in the "Now."
- No scene setting. I'm a big fan of telling the reader "who" and "where" and "when" in the first paragraph or so of each scene. Where are we? Who is there? What time is it? Added to that, what does the character see, hear, etc? What does the room or street look and sound like? In most of the entries, setting the scene was done poorly. Often, the author supplies reams of narration about the character's pitiful life, or launches into unbroken dialog.
I could go on about trivial dialog, lack of gestures or facial expressions by characters, and slow pace. But you get the picture. Don't get me wrong. A couple of the manuscripts I read were excellent, and might even end up a contest finalist. Good luck to them all.
Steven Houchin -- 18 April 2016